By Margaret Ann Zaho
Imago Triumphalis: The functionality and value of Triumphal Imagery for Renaissance Rulers examines how self reliant rulers in fifteenth-century Italy used the motif of the Roman triumph for self-aggrandizement and private expression. Triumphal imagery, replete with connotations of victory and elegance, used to be well-known through the Renaissance as a mirrored image of the respect of classical antiquity. Its charm as a strong visible bearer of that means is evidenced by means of its visual appeal as a dominant topic in literature, structure, and artwork. Rulers corresponding to Alfonso of Aragon, Federico da Montefeltro, Sigismondo Malatesta, and Borso d’Este selected to include the triumphal motif in significant creative commissions within which they have been represented. They well-known that similar to the triumph may possibly maintain its classical institutions whereas functioning as a hugely custom-made statement.
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