Desk of Contents: Preface. Diane Wolfthal, 'Florentine Bankers, Flemish Friars, and the Patronage of the Portinari Altarpiece'; Michael Rohlmann, 'The Annunciation through Joos Ammann in Genoa: Context, functionality and Metapictorial Quality'; Creighton Gilbert, 'Piero and Bouts'; Francis Ames-Lewis, 'Sources and files for using the Oil Medium in Fifteenth-Century Italian Painting'; Maria Clelia Galassi, 'Aspects of Antonello da Messina's procedure and dealing technique within the 1470s: among Italian and Flemish Tradition'; Colin Eisler, 'Flying Pictorial Carpets - Tapestries' Transalpine Agendas'; Ingrid D. Rowland, 'Agostino Chigi's Flemish Connection'; Elizabeth Ross, 'Mainz on the Crossroads of Utrecht and Venice: Erhard Reuwich and the Peregrinatio in terram sanctam (1486)'; Ingrid Alexander-Skipnes, 'Northern Realism and Carthusian Devotion: Bergognone's Christ wearing the pass for the Certosa of Pavia'; Marina Belozerskaya, 'Critical Mass: uploading luxurious Industries around the Alps'; Barbara G. Lane, 'Memling's impression at the Early Raphael'; Laura D. Gelfand, 'Regional types and Political goals: Margaret of Austria's Monastic beginning at Brou'; Yona Pinson, 'Moralized Triumphal Chariots - Metamorphosis of Petrarch's Trionfi in Northern paintings (c. 1530- c. 1560)'; Frits Scholten, 'Spiriti veramente divini: Sculptors from the Low nations in Italy, 1500-1600'; Nello Forti Grazzini, 'Brussels Tapestries for Italian consumers: Cardinal Montalto's panorama with Animals Made by means of Jan II Raes and Catherine van den Eynde'. Bibliography.
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